2019, the Year of the Fungi Monsters

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Despite my best efforts to freeze time, 2019 has arrived. With the New Year comes 12 months worth of opportunities. As a writer, that means a lot. This industry takes time, so it’s good to get out ahead of it and lay out some goals. I wanted to keep them relatively simple this year.

Write a Story a Month!

I absolutely destroyed my backlog of stories this year for submission. It’s a good thing, but also kind of a bad thing… I only have two stories in the coffers to send out. That is unacceptable. I focused on writing stories specifically for theme anthologies, which doesn’t make them easy to send out to other places. If they weren’t accepted, I had to stash them away. I have a pizza-horror themed story that I now have nothing to do with.

So I need to refill the coffers! One story a month, edited and waiting to find a home. It is an easy goal, especially considering I have 4 or 5 stories that are half way done and just ready for me to pick them back up again. I would like to eventually have enough quality stories to put into a collection.

Reading Challenge! 30 Books!

I slayed my Reading Challenge for 2017 and 2018, and I’m back for another round. I had trouble hitting my number this year, and I don’t have any excuses for it. I have a momentous TBR pile lurking in the shadows of my guest room. I will be battling that beast over the next twelve months. Follow me on Goodreads, and stick around here to read some reviews. And speaking of reviews…

Do More Freelance Work!

I’ll be writing reviews for a newly stood up website! I’ll be partnering with horror author Michael Patrick Hicks for his new site High Fever Books. I’ll be posting any pieces I do over there on here for your reading pleasure. I’ve got some interesting ARCs coming my way to review, and I couldn’t be more excited.

But I want to do more freelance work outside of that! Time between short story publications can take awhile, so it helps to try and get my name out on various websites. I want to do some film pieces, and maybe a video game piece or two as well.

Submit 25 Times in 2019

I hit the very strange number of 24 for my submissions in 2018. I would like to submit 25 different times in 2019, and I’ll be tracking the numbers right here on my site. To hit this number, I’ll have to write a lot more stories, which thankfully ties into number 1 on this list!

I’ve designated 2019 as the year of the fungi monsters. Why? I don’t know. It sounds cool. And maybe I’m working on a story about fungi monsters. Just maybe.

 

 

 

 

 

Interview: Trevor Henderson

It’s January 2019 and that means it’s time for another interview! Every month I’ll be interviewing authors and creators about their newest works, their lives, and what influences them. This month’s interview is with artist and cryptid king Trevor Henderson!  

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For my first question, I like to keep things simple. Tell us a little bit about yourself! What made you want to be an artist and a writer? What other hobbies do you enjoy in your free time?

Okay! So I’m an illustrator who lives in Toronto! I love horror in all it’s varied forms. I’ve been an artist who is interested in drawing monsters and scary things since I was very, very young, and this is entirely my Dad’s fault, him being a big horror fan who introduced me to horror films at a very young age. Both of my parents have always encouraged my art. I wouldn’t say I’m a writer, the little snippets I post with my art are more just me exploring a little bit. I was moved to start including them when I ran a tabletop horror game this past year and had to come up with a developing horror plot on the fly. It was so much fun, I started incorporating the written word into my art.

As for other hobbies, I listen to podcasts, play video games, board games, read horror fiction, and see a lot of movies. I was on a couple podcasts this year and it was a lot of fun. I’d love to do it again.

I think that your fame in the horror community comes from your absolutely jaw-dropping found-footage art. The power of your art certainly comes from seeing the supernatural lurking among the mundane. Can you talk about your Sirenhead.jpgart? 

Thank you so much! The supernatural co-mingling with the every day word in subtle and horrible ways is one of my favourite ideas in horror. The whole thing started as an idea to see if I could replicate a found footage horror film and boil it down to a single image and a couple sentences. The response has been so amazing that it has really encouraged me to continue playing around with the format, and it’s lead to me creating continuity between certain images, with a couple specific monsters popping up more than once, and some basic lore being developed. I’ve always loved found footage horror, and think that at it’s best, it provides a unique film-going experience.

You’ve released two books so far featuring your art and your fiction. The first, ‘Odd Noises in Empty Rooms’, is a collection of short horror stories and ghost drawings. The other is a book of short horror comics called ‘Bad Things Coming’. Greats titles! What can you tell us about those two books?

The first book, “Bad Things Coming” is a collection of four short (really short!) horror stories done entirely in pencil, with a risograph printed cover. The idea was to pay homage to the format of one of my favourite horror manga, “Fuan No Tane (Seeds of Anxiety)“, which manages to be terrifying in only a couple pages per story. I don’t think a lot of the book holds up, but there are a few drawings in it that I still love.

Odd Noises in Empty Rooms” is my newer book, and it’s a collection of scratchy black and white ghost drawings, with little one-page accompanying ghost stories. It was inspired by the work of Stephen Gammell, who is most famous for doing the terrifying art for the “Scary Stories To Tell in the Dark” books. They were hugely formative for me as a little kid, so I wanted to pay homage!

As I think most creative types can attest, it’s not always easy to stay on that treadmill. Life gets in the way, and sometimes the words and the art don’t want to flow. Have you ever experienced that? And what tactics do you use to keep it at bay?

It can be a real struggle. I work a full-time day job, and sometimes it’s nearly impossible. When I paint ghosts into photos in my found footage art, I find I can manage when I’m tired and don’t feel like drawing, because the background image is already there. I can look at the photo and be inspired to imagine what kind of creep is lurking in the background. In this way, I’ve been able to be productive and produce one or two found footage images a day, more or less, for the last couple months. It can be so hard, though. As long as you’re making SOMETHING every couple of days, you are improving. But at the same time, don’t push yourself. It’s understandable to be too tired to be creative after working a job all day.

Time for a dream job scenario: You’re given an unlimited budget and the ability to work for any company, with any characters. What is your dream project? (For me, It’s writing a Batman novel or five.)

Oh man, that’s an exciting question. I’d love to be hired on as a concept designer for the television show “Channel Zero“, in my opinion the best horror show on the air. It’s constantly showing off these fantastically designed and executed monsters, and I’d love to have a hand in helping to develop their next iconic entity.

Last question! Where can people find you and your works?

Hands in the Forest

Oh yeah! You can find me on most social media, but I use Twitter the most. You can follow me at https://twitter.com/slimyswampghost. I’m also on tumblr at http://slimyswampghost.tumblr.com/ and on Instagram at https://www.instagram.com/trevorhenderson/!

Annual Review (2018)

2018 was kind of a big year for me. I started 2018 in kind of a rut. I was feeling crappy about my skills as a writer. Not to mention my progress in my still very early career. It’s a silly feeling, but it’s a tough one to crack. Thankfully, I feel a little better now. I certainly made some good progress. I came out on the other side UNSCATHED.

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This Monthly Review will be a little bit different. I’ve tabulated the numbers and dotted the T’s to come out with this special edition of the Monthly Review. The last for the year (*cue dramatic music*). 

What am I proud of this year?

This blog!

I revamped and redesigned it. I started my Monthly Interview feature back in July, and I couldn’t be more excited about all the people I’ve interviewed so far. Writers and creators that I respect and look up too. Lovecraftian master Pete Rawlik. Dark horror maverick Kristi DeMeester. Michael Wehunt. Orrin Grey! Kelly (Nebula Winner!) Robson! I’ll continue to conduct these interviews, and learn about how the writing sausage gets made. It’s fantastic.

Three posts a month. That was my goal! I hit that every month, sometimes more. I wrote some pieces this year that I’m extremely proud of. If I had to pick a couple of favorites? I made-up a horror film festival and gave Richard Upton Pickman his very own profile. I also urge that you read every interview I posted. There is a lot to learn as a writer.

How about them numbers…

Submissions: 23

Acceptances: 3

Rejections: 18

Still Out in The Wild: 2

Those are some fun numbers! Look at that ratio! Three acceptances is lower than previous years, but I have gotten a bit more picky on where I send stories.

That was 2018! Thank you to everyone who chatted with me on Twitter or Instagram. Thanks to everyone who bought a book with one of my stories in it, or read any of my articles I posted here. We’re headed into 2019 right. Expect a writing goals article sometime in January.

My Favorite Things of 2018

2018 has been a wild year for entertainment. I watched a lot of brilliant movies, read some outstanding books/comics, and saw some TV shows that will stick with me for awhile. One of my favorite features that blogs do is talk about their favorite media from the year. The content that stood out above the rest! Instead of doing an individual article listing my favorites for each section of entertainment, I decided to just do a big article highlighting my favorites from each! I hope you enjoy this list and seek out some of these on here that you may not have heard of. Let’s start with a big one…

My Favorite Movie of the Year

Avengers: Infinity War

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Much like Thanos’ grand plan, my pick for my favorite movie of the year feels inevitable. Avengers: Infinity War is a massive beast of a film, cram packed with heart, humor and action. Marvel has been building to this movie for ten years and it shows. Thanos is the big villain we needed. He feels terrifying in a way no other MCU bad guy has before. This is some of the best work that this franchise has produced, and I can’t wait to see the next chapter.

Honorable Mentions: Hereditary, Mission: Impossible – Fallout, Bad Times At the El Royale, Halloween

Some great horror, and the utterly break-taking new Mission: Impossible. Bad Times At the El Royale is the Tarantinoesque crime piece that I didn’t know that I needed.

My Favorite Video Game of the Year

God Of War

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This was the hardest decision I made for this list. We had several masterpieces that came out this year, and I did my best to play them all. Red Dead Redemption 2 is an utterly engrossing Cowboy Simulator with some of the characters of the year. Marvel’s Spider-Man is the best superhero game since Arkham City. Celeste is beautiful and stupidly tough.

But God of War beats them out. While it doesn’t have a massive open world or the ability to fly through New York City, it has a pitch perfect story and combat mechanics that have to be played to be believed. Kratos’ axe is the best video game weapon of the generation. Nailing a skeleton in the chest and then recalling your axe so the skeleton explodes had me grinning. Added bonus: my wife and I said, “Boy!” in a Kratos voice for months after I finished God of War.

Honorable Mentions: Red Dead Redemption 2, Marvel’s Spider-Man, Celeste, Assassin’s Creed: Odyssey

My Favorite Book of the Year

The Grip of It by Jac Jemc

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While I didn’t hit my lofty reading goal from last year, I still got a chance to read some FANTASTIC books this year. I got two new books by my two of my favorite authors (Orrin Grey AND Laird Barron) and enough novellas to fill up a potentially haunted house.

Speaking of which… What was my favorite book this year? It’s easily Jac Jemc’s The Grip of It. Jemc finds a whole new dimension to the haunted house story. It’s as much about the house as it is about the characters. The married couple of this story are destroyed by the terrors of their lives. Maybe? It’s not clear but that’s where the power comes from.

Honorable Mentions: Guignol and Other Sardonic Tales by Orrin Grey, The Human Alchemy by Michael Griffin, Blood Standard by Laird Barron

Happy 2018 everybody.

 

Author Interview: Gemma Amor

Chestnuts roasting over a horror fire…

Or something. It’s December, and that means it’s time for my final interview of the year! In case you’re new to the blog, every month I’ll be interviewing authors and creators about their newest works, their lives, and what influences them. This month’s interview is with horror podcast maverick Gemma Amor!

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I’m very excited to be doing this interview with you today! I like to start my interviews off with an easy question: tell us a little bit about yourself! Why did you decide to become a writer? What other hobbies do you have in your spare time?

I’ve been a writer for as long as I can remember. It was never really a conscious decision for me, but simply something I always did. I spent a lot of time by myself as a child, and writing was a natural byproduct of that and being a ferocious reader from a young age. Over the years I began to take it more and more seriously, and then, eventually, I realized I couldn’t live very comfortably without writing, and would feel anxious, frustrated and upset the longer I went without putting pen to paper. So it became my way of life, and is now my main source of income (which is why I only eat every other week).  All of this means I don’t really have many other hobbies, because I don’t get a huge amount of spare time. I am also a parent, which is tantamount to pouring any free time that remains into a vast, black hole. But I wouldn’t have it any other way.

You seem to have an affinity for spooky podcasts! I first discovered your work on a recent episode of the stellar No Sleep Podcast (the Halloween episode). I saw you’ve got pieces slated for several new podcasts in 2019! What can you tell us about your podcast work?

Podcasts are my addiction, and I found the podcast community to be an instantly welcoming and warm place full of like-minded people. I realized that although I love writing fiction, I also love hearing audio adaptations of my work. Once my first story was accepted by NoSleep, I was no sleep podcasthooked, and began writing more and more stories for audio. Writing for audio demands a lot of a writer in different ways to straight fiction, so I learned a lot as I continued to submit stories and reach out to other, similar shows such as Shadows at the Door, and the Grey Rooms. Most importantly, however, getting involved in podcasting meant that I built connections with actors, producers and mentors who possessed so much knowledge and expertise that I’m now producing two of my own shows, both of which are out in 2019. Calling Darkness is a horror-comedy show that I’ve co-written with NoSleep stalwart S.H. Cooper. It stars Kate Siegel, from Netflix smash-hit The Haunting of Hill House, as our narrator, and a whole host of other great voice talent from the world of audio-drama, including David Cummings, Graham Rowat, Dan Zappula, and many more. It’s an irreverent, female-led audio drama co-created by myself, Cooper and so many other talented people. Kate is just wonderful in it- I’ve listened to her raw audio for the first four episodes, and can’t stop smiling.

I’m also writing, producing and acting in forthcoming audio drama Whisper Ridge, which is again slated for release in 2019. It’s a serious audio-fiction series set in the post-gold-rush era of the American frontier, and follows the journey of a young Sheriff who comes to the town of Whisper Ridge only to encounter strange phenomena. It’s quite different to my other work, and I’m really excited to record the pilot, which will be out soon.

I saw your first collection, Cruel Works of Nature, releases in December of this year! I signed up for your newsletter so I can get eyes on it when it releases! How did this collection come about? What can we expect from the stories within?

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After buckets of blood, sweat and tears, it’s finally out! Which is so surreal, and it’s delightful to finally have something tangible and published that I can hold in my hands. I’ll be updating my mailing list very shortly with links to the book on Amazon. Cruel Works of Nature is a hand illustrated collection of short stories, some of which have been adapted by the NoSleep podcast, others which are exclusive to the book. Each story deals with some aspect of nature or the natural world that has gone horribly awry. I have a thing about the great outdoors, animals, flora and fauna, and skewed realities. I also have a thing about monsters, and so this book is a love-letter to the upside-down, as it were. Its been really well received so far, which is lovely, and has spurred me on to write the next collection, which I’ll release in 2019.

Let’s talk about books for a moment. What’s in your To Be Read pile right now? Any books you’re looking forward to in the future?

I’m reading so many books at the same time that I need to stop, and catch up. I have a collection of short stories by H.G.Wells to get through, and then I might revisit Rebecca by Daphne Du Maurier, which I try and read once a year simply because I love it so much.

A lot of young writers I talk to get discouraged with the grind (sending stories out on submission, etc.) and the constant struggle that is the publishing world. Do you have any advice for any writers looking to get published?

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 My advice would be not to give up. Even if you send one story to a thousand people, and it gets rejected each time, don’t give up. Do consider, however, getting beta-readers involved for constructive criticism, or a writing mentor who can help you learn and shape your words more effectively. There is nothing that cannot be re-written and improved upon.

And always, always, ALWAYS follow the submission guidelines, no matter who or what you are submitting to. Guidelines are there for a reason, and ignoring them will piss editors off no end.

You’re enjoying a cup of coffee in a crowded café when the door dings. Your favorite author walks in and asks if he/she can take a seat in the empty chair at your little table. You nod your head and they sit down. Who is that author? And what will you talk about? No subject is off limits.

Dear God, I could never choose one author, and I’m so socially defunct that I would never invite them to sit with me and make awkward conversation! But if I had to, at gun point, I would talk to the following:

Angela Carter, about female characters rooted in magic realism, about fairy stories, and about Bristol, where I live and she studied.

Stephen King, about anything he wanted, but primarily writing horror as a means of coping with your own personal demons,

Stephen Hall, about grief and allegory,

Hanif Kureshi, about short stories and love affairs,

Mary Shelley, about her utterly bonkers life,

Robert Jordan, about world building in the Wheel of Time series.

But it’s far more likely I would turn a deep shade of red, sweat a lot and mumble something incoherently about the weather!

 

Thank you Gemma! To find out more about her work, check out her website at gemmaamorauthor.com. This interview is the 6th I’ve done for my site, and I hope to continue going strong into 2019. Every writer/creator I interview offers a new perspective and excellent advice about their craft and lessons writers like me (or you) can truly learn from. Stay awesome everybody, and tune in next week for my end of year review.

Edge of That Abyss: Looking Back at Batman: Mask of the Phantasm

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The fact that Batman: Mask of the Phantasm turns 25 this month blows my mind. It feels like such a massive part of my childhood. Because I was born in 1993, this was obviously not a theatrical watch for me. I owned a beatdown clamshell copy that I spent a lot of time watching and re-watching with our dusty ole’ VHS. It was that and Batman & Mr. Freeze: Subzero that gave me Batman fever.

But I always preferred Mask of the Phantasm. This was the best Batman movie of the time, and it wouldn’t be matched until Christopher Nolan came along to change everything.

But why? For starters, it was a feature length sequel to the always incredible Batman: The Animated Series. Same voice cast, same writers, same wonderful world. It’s noir chic and German expressionistic influences made the show’s look iconic.

The Animated Series had some stellar episodes. I don’t need to tell you that.  But Mask is special. By giving us a big screen love story for Batman, we get to see the inner thoughts of Bruce Wayne. His fears. His regrets. Batman/Bruce is famously mopey. Thankfully, Mask gave us a reason for the moping other than, “My parents are dead”. The Phantasm is a formidable villain with an incredible design. Part Grim Reaper, part Dickensesque apparition. Over 76 minutes, we are given a heck of a Batman story. We’re shown his origins, his first doomed love, and a legendary battle with the Joker in a decrepit World’s Fair.

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It’s honestly all very impressive. This was our first big screen Batman that had dimension. Couple that with sterling animation and a cast that still remains iconic to this day, you get a super hero classic. This is a Batman film for the ages.

 

New Story: ‘Atmospherics’

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New story alert!

My story ‘Atmospherics’ is featured in Volume 3 of Déraciné Magazine. This is a story I’m very proud of. It’s very experimental, and plays heavily with images of the surreal.

This issue dropped today, and I’m featured with some very talented writers. The link here will take you right to where you can download it… Free of charge!

Monthly Review (November 2018)

It’s November, and there is snow in the air. This month was a festive whirlwind of dead leaves and lots and lots of turkey. I ate too much, and enjoyed a lot of time with family. What’s new with me? Well, let’s start with the obvious…

Story Submissions:

Submissions: 1

Stories Still Out in the Wild: 3

Acceptances: 0

Rejections: 0

While these numbers were dismal this month, I did put some finishing touches on a new story that I hope to send out soon. I’m also doing edits for a story dropping next month. More to come on that…

What else have I been doing?

An interview with author Kelly Robson!

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November’s Author Interview was with Nebula Winner Kelly Robson! She was just as breezy and fun with her interview answers as she is in her incredible fiction. During her interview we talked about her newest works, some stellar writing advice, and who she’d want to hang out with on a deserted island. You know… normal stuff.

A Review of Michael Griffin’s ‘The Human Alchemy’

The Human Alchemy

I read Michael Griffin’s new collection a couple of month’s ago and LOVED it. Here are some of my thoughts on the book.

I hope you enjoyed Thanksgiving! Next month is the last month of the year (!), and I’m not sure if I’m ready for 2019. But much like death or taxes, it’s coming anyway. Here we go…

 

Book Review: ‘The Human Alchemy’ by Michael Griffin

Written by Michael Griffin

Heralded as one of the leading voices in contemporary weird fiction, Michael Griffin returns with his second collection, The Human Alchemy. Here you will find eleven magnificent tales of the strange and sublime, the familiar and the disquieting, where dreamlike beauty and breathtaking horror intertwine. Featuring an introduction by S.P. Miskowski.

Plot summary taken from wordhorde.com.

The Human Alchemy

Michael Griffin’s fiction has a way of crawling under your skin. This collection—made up of 10 stories and 1 novella—accomplishes just that. Though the stories have been published elsewhere in magazines and themed anthologies, the Griffin D.N.A is ever-present. ‘The Human Alchemy’ is filled with horror unspoken, fears and motivations hidden behind every enigmatic terror. His writing is clean and clear, laced with cerebral prose at every turn. His stories often take their time, but never overstay their strange welcome. The further I got into the collection, the more I began to notice the themes. Unreachable knowledge. Disintegration of body and mind. The insidious geometry of madness. It’s a testament to Griffin’s talent that each story surprised and thrilled me, even when I saw the writing on the wall for his poor protagonists.

It’s easy to see the fingerprints of the horror masters of yore in the collection. ‘A Slipping of Stones’ conjures the unreal quiet of Aickman’s best. The unrivaled terrors of domestic life build a home that even Shirley Jackson would have shuddered at in ‘An Ideal Retreat’. ‘Fire-Dancing’ charts a course through Laird Barron country and into a very interesting party. Though the fingerprints of other writers exist, each story felt wholly original.

Bottom line: the people at Word Horde have delivered another masterwork of a collection. Michael Griffin’s writing is efficiently drawn, but packed with dream-like and unique horror imagery. The stories enclosed are rich and varied. ‘The Lure of Devouring Light’ (his first collection) showed us a talent to watch out for. ‘The Human Alchemy’ shows us that the talent has arrived.

Author Interview: Kelly Robson

It’s November 7th and that means it’s time for this month’s Author Interview! Every month I’ll be interviewing authors and creators about their newest works, their lives, and what influences them. This month’s interview is with Nebula Winner Kelly Robson.

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Kelly Robson. Photo Credit: Maxwell Ander

Hello Kelly! I’m very excited to have you here on the blog today! I like to start my interviews off with the ultimate softball question: tell us a little bit about yourself. What made you want to be a writer? What do you do when you’re not sitting at your keyboard?

I’ve wanted to be a writer since I was a little kid. Book have always been the most important thing in the world to me. But I caught the short SFF bug when I was sixteen and picked up my first issue of Asimov’s Science Fiction magazine. Contemporary short SFF just blows my mind. It’s so powerful, so flexible.

I have a nine-to-five office job in downtown Toronto, which is only a fifteen minute walk from my apartment. I love not having a commute — it gives me time and energy for writing after work.

I discovered your writing through Tor.com late last year. It was ‘A Human Stain’ that drew me in. After I saw Sam Wolfe Connelly’s incredibly creepy art, I knew I had to read it. This story is a perfect example of how amazing speculative fiction can be. I think you must have performed some kind of gothic-magic to cram that much atmosphere and detail into 40 pages. Your story rightfully won the Nebula for Best Novelette. Can you give us some background on ‘A Human Stain’? What was it like to win that award?

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Isn’t that cover art amazing? I love it so much. Ellen Datlow edited “A Human Stain,” and she put me through FIVE rewrites. One of the great things about horror stories is the sensory detail — it’s not horror if you can’t feel it! The story wouldn’t have won the Nebula if Ellen hadn’t pushed me to perfect it, and at the end, neither she nor I could really tell if the story worked or not. So winning the award was a complete surprise. I really expected not to win, and my co-finalists are all people I know and like so I was rooting for them. Then at the ceremony, I was busy live-tweeting the results on my phone, and was poised to take a photo of the winner when my name was called. I sat with my mouth open for a full ten seconds before moving.

Your book ‘Gods, Monsters, and the Lucky Peach’ landed on shelves in March of this year. Though I haven’t got a chance to read it yet (it’s in my teetering TBR pile) it looks like you’ve created a very unique world. How did you go about writing this book and managing all the demands that world-building requires?

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I go about world-building in an organic way, by reading a lot of interesting non-fiction and then synthesizing the best bits. I don’t really take notes, I just try to get an understanding of how the world works. So my Earth of 2267 is based on a lot of information from David Graeber’s terrific economics book Debt: The First 5000 Years combined with my own understanding of the professional services world to create a unique economic system. I really believe economics is the physics of world-building. Once you understand that piece, everything else falls into place.

A lot of young writers I talk to get discouraged with the grind (sending stories out on submission, etc.) and the constant struggle that is the publishing world. Do you have any advice for any writers looking to get published?

I tell new writers that the writers who make it are the ones who don’t quit, so to make it, you have to find the survival strategy that works for you. That’s going to be different for everyone. Maybe that means doing what I did: write a lot but not submit stories until I knew my stories were good enough to sell to the bigger SFFH markets. Other people find a way to enjoy the submission grind. Others go to a lot of workshops, and get tons of feedback on their drafts. So just do what’s right for you and don’t quit. If you never quit, you never fail.

What’s next for you? Any new books or stories on the horizon?

Right now, I’m working on a sequel to ‘Gods, Monsters, and the Lucky Peach’. And I’m discovering that second books are really difficult.

Let’s talk about books for a moment. What’s in your To Be Read pile right now? Any books you’re looking forward to in the future?

I’m reading an arc of Caitlin Starling’s The Luminous Dead, which is an SF Horror and it’s simply terrific. It’ll be out next year. I’m reading a lot of horror right now. And I’m desperately looking forward to Annalee Newitz’s next novel, which I think should be out next year, too!

Last question: You’re stranded on a desert island with one historical figure from any point in history. Who’s it going to be?

Such a hard question! I think it would have to be Oscar Wilde, because I’d really like to collaborate with him on a decadent, epic space opera.